When I say "song", I mean the combination of tune and words; and yes I'm probably thinking Ashkenazically here. It seems like any European old-timer I've met knows the "good old fashioned" tune for Psalm 23 (Mizmor L'Dovid, Hashem ro'i lo echsar). How old is that? More generally, what are the oldest songs still popular today?
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Mentioned previously, but here's a great website for Jewish ethnic music research: http://www.jewish-music.huji.ac.il/ – chaimkut Aug 04 '10 at 12:36
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2This is very bround, and kind of like a list question... – Adam Mosheh Jul 23 '12 at 14:46
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I'm voting to close this question as off-topic because it seems like a question about the Jewish culture; not the Jewish religion. – mevaqesh Apr 30 '17 at 15:22
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@mevaqesh Is Jewish culture not on-topic here? I agree with Adam. The VTC reason should be too broad. – DonielF Apr 30 '17 at 17:29
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@mevaqesh That said, the question's been around since 2010, so maybe we should just leave it alone. – DonielF Apr 30 '17 at 18:08
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@DonielF It has not been formally grandfathered on meta. If it is off topic by the guidelines no reason to make an exception. – mevaqesh Apr 30 '17 at 18:54
12 Answers
I have heard from my uncle, who has been very active in the Jewish Music industry, that when he played the tune Ashkenazim use for singing the seder (order) of the Seder Night (Kadesh, Urchatz, etc.) for his music professor, the professor exclaimed that the tune was at least 1000 years old.
Then I sang the tune for some sefardic friends who exclaimed that they use the same tune (albeit with some Middle Eastern twists). They sang it and lo and behold it is the same tune Ashkenazim use! Who knows how old that tune is?!
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1You got me intrigued... I found a site that has 3 versions of the Kadesh Urchatz song (http://artmuz.com/Haga_Tape_MAIN.htm), and I can see how they have some similarity. The common Ashkenazic one is the "Babylonian" version, whatever that means. Do you have any way of finding out the name of the 1,000 year old tune the professor had in mind? – Dave Aug 04 '10 at 02:42
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The "Babylonian" one is the one my uncle played for his professor. The sefardic one I heard sounds very much like the "Salonika" version. If you listen to the entire Sefardic version you will see they are essentially the same song with different cultural influences. – Yahu Aug 04 '10 at 02:51
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4How exactly did this professor know how old the tune is, though? Musical notation didn't exist 1000 years ago. (And if you'll say that it's because the "Babylonian" one sounds similar to the Ashkenazic one - well, that's not necessarily a proof; there was always at least sporadic contact between the various major centers of Jewry.) – Alex Oct 05 '10 at 15:28
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You are correct regarding musical notation. it was an estimate based on the cadence (I'm not sure if he meant harmonic or rythmic cadence) and other factors. it seems that there is music out there that there is reliable tradition that it is that old. – Yahu Oct 05 '10 at 22:39
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As to the sporadic contact theory that does not explain its widespread use in both communities. – Yahu Oct 05 '10 at 22:41
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There is 1000-year-old music (if you know how to read it, but I don't know if there's enough to use as a basis for evaluating a candidate melody. – Monica Cellio Sep 15 '11 at 01:16
Cantor Sherwood Goffin has an excellent article on these ancient "MiSinai" melodies. One example is the tune for Borchu in Maariv during the Yamim Noraim, which is at least 1100 years old!
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If I'm not mistaken, he has evidence that the tune itself is very old, but how long has it been used specifically for Maariv? (I think he argues "oh the court musicians were Jews so we must have had it first" ... could be, could be not.) – Shalom Aug 03 '10 at 14:31
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Right; so a handful of tunes used in the davening -- e.g. half-kaddish before Shabbos musaf -- can be tracked clearly to the 1400s. What about non-davening songs? Zemiros, Ani Maamin, Shalom Aleichem, anything like that? – Shalom Aug 03 '10 at 14:32
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The Previous Lubavitcher Rebbe said in a sicha that the Skarbova niggunim ([literally means "old", these niggunim are traditionally sung on Rosh Hashana and Yom Kippur) were written by the Maharal. In his time there were troubles for Jews, so the Maharal asked Shmayim for davening melodies that would arouse heavenly mercy. Based on those, he established the skarbova niggunim.
The Tzemach Tzedek (third Lubavitcher Rebbe) said that skarbove niggunim were sung by the Levites in the Beis Hamikdash.
This is why these melodies are generally considered "exclusive", and Rabbonim were very Makpid not to change these tunes.
It's much harder to get older than the Levites, yet here is a niggun that has both its melody and words atrributed to the AriZal (1500s).
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can you explain a little what the Skarbova niggunim are? Maybe a link? To explain. I understand they are "the generally accepted niggunim sung during the Yomim Noraim", but which songs are those? Why are they called Skarbova niggunim? – Menachem Sep 15 '11 at 19:35
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@ShmuelBrin: Do have another link to the niggun of the AriZal, or more information? – Menachem Jun 17 '13 at 14:47
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I'm not seeing any particularly compelling evidence that they date from the period of the Beis HaMikdash. – mevaqesh Apr 08 '15 at 00:01
A note in a Moroccan siddur called "Avot uBanim" claims that the traditional Moroccan tune to "Ledavid Baruch A-onai Tzuri," which is recited by most Sepharadim before Arvit on Motzei Shabbat is said to go back to David HamMelech.
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2Yes, I have heard the same thing about the ashkenazi tune for L'dovid Baruch, and that in fact it is very similar to the Sephardi tune, having both originated at a common source. It is commonly sung in Yekki shuls and some Eastern European shuls (particularly in some litvish minyanim in Israel). I'm not sure why the singing of L'dovid Boruch has been completely abandoned in most Ashkenazi shuls today when it is mentioned by the Rema, found in most siddurim, and traditionally sung to one of our most ancient (and in my opinion, beautiful) niggunim. – aaron Jul 23 '12 at 15:05
I have heard (from a rabbi then in Rhode Island, who apparently had researched this, but I forget his name and, indeed, what city he was in) that many (most? all? I forget) of our (Ashkenazi) nuschaos (tunes used for prayer, not the songs but the, if you will, chants used throughout the prayer to distinguish, e.g., holiday from weekday prayers) are as old as the Maharil, which would be in line with Shalom's comment above that "a handful of tunes used in the davening -- e.g. half-kaddish before Shabbos musaf -- can be tracked clearly to the 1400s".
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It may be the Trop we Lain the Torah with.
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2I've seen sources that the Ashkenazic trop is rooted in ancient Greek chromatic scales. – Yahu Nov 02 '10 at 05:37
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Do you have any reason to think the tune might be particularly old? Otherwise this post is next to useless; it might be any tune! – mevaqesh Apr 30 '17 at 15:23
Maoz Tzur and it's famous tune have been going hand in hand since the 1450's. According to wiki the tune is an adaptation of an old nonjewish song, but I don't think that would disqualify it from being included here. The content of the song was started to be written in the thirteenth century, during the crusades.
What the article doesn't address is that this song and it's tune are commonly sung amongst Sefardim also.
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See here for an article about sheet music found on a 370 year haggadah for a couple of Pesach songs. The tune for Adir Hu is very similar to one commonly used today.
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I recently was by a minyan where Cohanim were Yekish and sang a tune during the yehi ratzon which was very similar to Adir Hu. Any insight? – user6591 Apr 30 '17 at 17:18
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@user6591 Consider https://www.youtube.com/watch?v=Auc_1FXRMDw Classically, each yom tov had a theme setting tune leitmotif that was stuck into davening in a handful of specific places (mi kamocha at night and morning, hodu/ana in hallel, duchening, mevarchim chodesh, probably a few others). For pesach it's that adir hu, shavuot=akdamut, and sukkot=the lulav-waving tune (chanukka maoz tzur, tisha bav eli tzion etc.). Over time fewer and fewer chazzanim still do it, but it's in all the old sheet music. – Double AA Mar 27 '23 at 17:35
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Here's an article about a hagada from the 14th century that directs singing hallel at the seder to "that nice ashkenazi tune" which is almost certainly Adir Hu https://www.academia.edu/76348993/%D7%A7%D7%95%D7%A8%D7%99%D7%95%D7%96%D7%99%D7%9D_%D7%91%D7%94%D7%92%D7%93%D7%95%D7%AA_%D7%A9%D7%9C_%D7%A4%D7%A1%D7%97_%D7%9B%D7%AA%D7%91%D7%99_%D7%99%D7%93_%D7%90 – Double AA Mar 27 '23 at 17:43
Shlomo Calerbach said the tune we use for Birchas Cohanim is from the Beis Hamikdash if that is true I do not know but Moshav Band lead singer writes it in one of his album Jackets too.
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1I've heard that the tune used at the Kotel may go all the way back, but that's a different tune than the one usually used in shuls. No? – Shalom Aug 03 '10 at 13:55
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1The authoritative shiur on Birchas Kohanim melodies, from Sherwood Goffin: http://www.yutorah.org/lectures/lecture.cfm/728307/Cantor_Sherwood_Goffin/Musical_Variations_for_Birkhat_Kohanim
Maybe someone can listen and post a summary...
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I'm not sure if it's still of interest, but regarding a tune for Mizmor L'Dovid (Psalm 23), the popular one typically sung during Seudat Shlishit on Shabbat was composed by Rabbi Ben Zion Shenker.
Here's a link to the song as sung by Cantor Leon Lissek: Mizmor L'David-Psalm 23-A Song of David by Ben Zion Shenker (YouTube).
NPR did a story about him in 2013 titled "The Greatest Living Figure Of Chasidic Music".
People like him are the exact reason why I put so much time into researching the authors and composers of songs when preparing my YouTube videos. If the songs are still under copyright, as his are, it's very important to know.
I hope that's helpful.
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The tune that we use for Kol Nidrei (Every place sings it differently, but it's the same idea.) is said to go back many, many years.
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The tune Abie Rotenberg used for the song "The Place Where I Belong" (about the Sefer Torah wanting a home...) is an unknown tune which is sang in some Shuls on Yom Kippur. I will try to get more info about this a different time.
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